"Lolita" : imaginative self and elusive consumption
Lolita, Subculture, Postmodernism, Imaginative self, Symbolic consumption
Although the term “Lolita” originates from Vladimir Nabakov's novel Lolita (1955), the current Lolita subculture has no direct reference to this novel or with any sexual connotation. It is more about personal expression and manifestation. It is a form of escapism—a way of taking flight from adolescence or adulthood and returning to childhood. By wearing a childlike Lolita style in a fantasy setting, the wearer may enter into an imaginary world and momentarily remove her/himself from everyday reality. Lolita subculturists “wear more than one hat in life” and their lives are filled with performance, imagination, illusions, and even confusion.
In order to understand this fluid, contingent, and contradictory identity, a research project was initiated to investigate the significance of this subculture in Hong Kong, with an emphasis on Lolita behaviors and attitudes in particular. In-depth interviews, virtual ethnography and daily observations were employed to uncover the underlying motives of those engaged in the Lolita subculture.
According to this study, it is evident that today's young consumers are constantly searching for and constructing a personal and social identity through symbolic consumption. A Lolita style enables young people to achieve an image for which they would not be accepted in everyday life. In short, Lolita consumption is a great source of pleasure, exhilaration, and delight for many Lolita subculturists in Hong Kong.
Rahman, O.,Liu, W.,Lam, Y.,& Chan, M. (2011). "Lolita" : imaginative self and elusive consumption. Fashion Theory, 15 (1), 7-27. http://dx.doi.org/10.2752/175174111X12858453158066
This document is currently not available here.